Digital Knowledge: Clara Barton – “Angel of the Battlefield” -Library of Congress

     

I chose to participate in crowdsourcing through the Library of Congress (LOC)

“By the People” campaign.  My contribution was to the Clara Barton: “Angel

of the Battlefield” campaign transcribing letters, papers, documents, and news

reports of her time and activities.  This campaign is accessed via

www.crowd.loc.gov.  The website is very detailed and offers information about the

campaign, campaign topics, resources, a discussion section for volunteer

questions and answers, and a “How-To” section.  

     This crowdsourcing campaign invites volunteers to review and transcribe

digitized pages from the collections of the Library of Congress.  The project is

open to anyone interested in the activity and began in the Fall of 2018.  As of

11/2023, 987,000 pages have been transcribed across 39 campaigns.  According

to the website, the name “By the People” was chosen in honor of Abraham

Lincoln’s Gettysburg Address as a reflection of democracy and government by the

people.

     Volunteers are asked to transcribe and review digitized pages in various

categories from the Library’s collections.  Examples of collections/campaigns

include “Correspondence of Theodore Roosevelt,” Sheet Music of the Musical

Theater,” “Walt Whitman,” and “American Creativity: Early Copyright Title Pages,”

etc.  

     The LOC relies on various avenues to solicit input from the public.  The first way

is by using the website.  The website is very well positioned and is clear and

helpful in assisting volunteers with instructions on how to contribute and

answering any questions.  Secondly, the LOC uses a blog site to keep the public

informed of the status of on-going campaigns, new campaigns, and information

about the crowdsourcing project.  The LOC also contributes information about its

crowdsourcing to professional journals and publications to keep the public

informed about the projects and solicit participation.  Finally, the LOC maintains

active press coverage to solicit public participation.  For example, the July 31,

2019, Smithsonian Magazine published an article entitle, “The Library of Congress

Needs Your Help Transcribing Suffragist Papers.”  

     A common crowd-sourcing rhetorical strategy of the LOC is the appeal to

publics’ emotion.  From 2019 to 2023, the LOC is mentioned in eleven press

articles.  In five of those articles, the title of the articles includes the phrase “needs

your help.”  One interesting rhetorical strategy is an appeal to logic in a press

article announcing the National Archives has billions of handwritten 

documents in cursive writing, but asks how we will read them with the decline in

cursive handwriting ability? Another appeals to natural curiosity with an article in

the Washington Post about Lincoln’s mail including advice and a call to shoot

deserters.  Immediately I was curious as to the contents of Lincoln’s mail and

questioned the identity of the deserters and the desire to have them shot.

     The various strategies used by LOC appeal to a wide audience.  People

interested in government will naturally be interested in the LOC crowdsourcing

project.  People interested in particular campaigns might desire to contribute to

only one campaign.  People interested in preserving important national documents

will be interested in “By the People.”

     I noticed one area of ambiguity in contributing to this campaign.  The

instructions state it is unnecessary to create an account to contribute to the

crowdsourcing campaign.  However, I could not determine how to contribute

without an account, because every time I attempted to submit my contribution, the

site requested that I log on to my account.  Therefore, in order to complete the

assignment, I created an account and was able to submit my contribution.

     I did not experience the need to make judgment calls in my transcription of the

document.  I found that the words were either decipherable or completely

undecipherable.  The instructions noted the transcriber does not need to be

concerned, because another contributor will follow your transcription and may be

able to decipher words you could not transcribe.  The campaign instructs you to

transcribe what you can realistically complete.

     The LOC mitigates risk with this project by asking you to submit the item

transcribed for review.  After logging in and completing my transcription, it was

sent to reviewers to complete a series of steps.  A reviewer is assigned to check

your transcription.  The reviewer reads the entire transcription and compares it to

the image of the document.  Reviewers are also volunteers, but they are required

to register with the site.  The reviewer can approve the transcription or make edits

or request other volunteer reviewers make edits.  However, transcribers cannot

review transcriptions they have completed.  When the page is determined 

to be accurate, the reviewer accepts the transcription.  It is then ready to be

published in the Library of Congress.  At this point, my transcription is still under

review.

     The only “term of service” I noted was to provide a valid email address.  As

stated, the website says people can contribute without registering, but I did not

find this to be accurate.  Therefore, I registered.  After registering and providing a

valid email address, the site sent me a verification email to verify my email

address.  I clicked on the verification email and was registered.

     The Library of Congress functions as a library and a museum.  It contains

books, photographs, and numerous exhibits.  Presently, the LOC offers seven

exhibits in its various galleries.  Present exhibits include political cartoons,

animation art, and comics, various maps of the world, and the music of the George

and Ira Gershwin.  I found engaging with the LOC’s crowdsourcing project

entertaining and very interesting.  The site is very clear and helpful in assisting 

volunteers with contributions.

     Museums and cultural institutions face challenges regarding crowdsourcing.  

They must find ways to engage the public and entice them to contribute,

particularly to topics/images that only few may find interesting.  Secondly, people

will likely contribute to crowdsourcing regarding topics with which they are familiar

or knowledgeable.  Finding or attracting these people may be difficult.  

Crowdsourcing must be accurate.  I noted that initial transcriptions are created by

volunteers at the LOC, and volunteers review the transcriptions.  I did not see

where professionals with knowledge of the topic reviewed the contributions for

accuracy.  It is important that crowdsourcing is accurate, particularly at an

institution such as the LOC.  The LCO is our nation’s library and museum.  It is

used for general educational and scholarly purposes.  What happens if the

information is inaccurate?  Finally, a robust crowdsourcing endeavor requires a

budget for IT professionals and librarians to oversee the activity.  While the LOC

can access these necessities as a government agency, smaller museums and

privately funded museums may have difficulty hiring staff or staff with the requisite

expertise to successfully implement a crowdsourcing project.

     Regardless of the challenges of crowdsourcing, the benefits are substantial.  

Work can be completed by volunteers for institutions without the means to hire

professional staff.  People with knowledge of a topic may be compelled to add

their expertise for free.  Crowdsourcing helps to increase public interest in an

institution and hopefully increase traffic and/or donations in the museum.  Also,

crowdsourcing increases general public awareness of museums via articles and an

online presence.  

     Museums and cultural institutions will need to find a way to offer crowdsourcing

as a volunteer activity.  With the advent of internet use, access of museum exhibits

via internet, and restrictive budgets in museums, crowdsourcing is a natural

progression to publicize offerings to the public and increase museum attendance.


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